Writing

Product-Market Fit V/S High Art

A tried and tested technique for internet entrepreneurs, especially those based in China, is this:
1 - Look up international comparable with unicorn potential.
2 - Perform extensive local search-engine queries to check organic traffic.
3 - Optimize and tweak business-model to fit observations.

Even if Step 1 is overlooked, Steps 2 & 3 are considered critical. E.g. if you want to start selling cakes online, then perform enough searches to verify traffic on the keyword "cake". Your findings may show great demand for blueberry cheesecakes; boom, that's your MVP (minimum viable product).

In other words, the market precedes the product. The grand-question of Product-Market fit is neatly obviated. You give people what they want. Why try inventing things which may or may not have buyers?

Of course, killer innovation may not happen. So some may question this method, and call it inferior to the conventional maverick route. But it's hard to imagine a sad billionaire. So the ends must justify the means.

The issue only occurs when you gauge artistic value of a business; all businesses are a form of art. I can't bring myself to digest the thought of an artist who Googles his or her audience's tastes, and tailors art accordingly.

 

The Idea-Person-Thing

“The three grand essentials of happiness are: Something to do, someone to love, and something to hope for.”
— Alexander Chalmers

In my attempt to distill happiness into its purest form, I thrust all three of these pursuits into a single idea-person-thing combination. That idea-person-thing becomes my all. I wake up to it, I breathe it, I eat it, I sleep with it.

It is always with me. It possesses me, and takes over everything else. I cannot give up until I win. And I cannot win unless I keep wrestling. There are a million things that badger me, that try to pry my attention away from this absolute purpose of existence. Even if my eyes leave it for a moment, I must return to it. I have been wired that way. I am obsessive, and I don't give up.

It is difficult to explain the past few months, that have flown by in breathtaking pace. I wake up, think about new ways to realize the idea-person-thing, feel let down by a lot of things that happen, pick myself up because I know I can't win unless I keep wrestling, win small victories that fuel me for weeks, and keep working until I'm too tired to work.

You cannot be unimaginably happy unless you go all in.

On Writing

The Beginning

I started writing a long time ago; I don't remember when. The past, so often, gets crushed together making space for a massive present, until the difference between yesterday and today is as significant as that between 2010 and 2011. However, I remember I started writing fantasy.

My first story was an amalgamation of the Smurfs and the Mahabharata. Much later, after I read my first Potter book, the same work included a Hogwarts-esque world as well. In fact, for the best part of a year, I was hell-bent on improving J.K. Rowling's literature; it didn't live up to my expectations, and in a mad childish whim, I tried to do better. My protagonist - shamelessly given a European name 'Peter' and white skin - thus journeyed into a terrifying world through a nightmare.

Over time, I imagine my writing developed a slight flavour, as I experimented with Indian myth; most prominently with a Bheema-like figure called 'Veera'. What I read - mostly European and American fiction - still shaped my works strongly. I never completed any of these tales. They held my attention for a while, and during this period, I was devoted to them; then they slipped away.

The Steadfast Tin Soldier?

Ashwin's story began as a blog-post that became longer than anticipated. I promised myself it would end as a 10,000-word short-story; I later found it transforming into a novella, and finally into a 70,000-word novel. I never wished to publish the work. But when the story ended, leaving me friendless for a short while, I decided - why not?

'The Steadfast Tin Soldier?' is not as autobiographical as people say it is, but it isn't independent of its author. I put a considerable portion of myself into that book, and sold it to the market. At first, it felt strange that something as intensely personal as a story was being read by other people. Soon, like many others before me, I learned to distance myself from the tale. In a strange way, imagination shaped reality.

My first foray into a longer form of writing was thoroughly satisfying. I was happy inside that bubble of imagination, untroubled by the world outside. I could live the life of Ashwin - my protagonist - and struggle his struggles, but in a world created by me. So the struggles always had purpose; I found purpose through writing.

MR19

Here, I write about the book I never got published. Not yet, anyway. MR19 - which only my closest friends have read - is the story of a man who tries to understand the world as it changes. The story, a work in mythology and science-fiction, happens in the future - in a homogenized planet. I wrote MR19 in order to understand the world, to accept the changing zeitgeist. I found enlightenment in writing.

Writing is more about listening to a story, than about telling one. I imagine that I write better than I converse; that is only because, when I write, I am listening to the story alongside you. The story plays out with a mind of its own. I cannot begin to describe - this paradox is unintentional - the beauty of a scene unravelling itself to you for the first time.

Nobody Remembers Ram

I wrote my latest book in two months. I was possessed by the story; it did not let me sleep. I wrote from bed, at work, in the metro, at bars, in coffee-shops, when I was friends, when I was on a family-vacation, in trains, inside planes, while eating... I found peace in writing.

This is a story of a successful man who goes missing. People search for him. They discover a narrative of his experiences. By elevating the pleasures and torments of a fictional character, I have been able to placate my own self.

There is too much turbulence in the world outside. Frankly, I don't care much about people and places any more. Why should I be part of something I cannot control? Give me a paper and a pen.